Changes

From TheBookbag
Jump to navigationJump to search
431 bytes removed ,  15:13, 11 October 2015
no edit summary
[[Category:History|*]]
[[Category:New Reviews|History]] __NOTOC__ <!-- Remove -->
{{newreview
|author= Jeffrey James
|title= Edward IV: Glorious Son of York
|rating= 4.5
|genre= History
|summary= Medieval England's own game of thrones, The Wars of the Roses, was at the centre of a turbulent age. In retrospect much of the history of medieval England, between the Norman conquest and the advent of the Tudors, seems to have been a chronicle of instability often verging on and sometimes erupting into rebellion or civil war. The fifteenth-century conflicts between the houses of Lancaster and York, lasting intermittently for thirty years, were more protracted and even more brutal than the rest, with several fierce battles and sudden changes of fortune for the two rival families, both descended from King Edward III. The rise, fall and rise again of King Edward IV was a constant theme of the wars.
|amazonuk=<amazonuk>1445646218</amazonuk>
}}
{{newreview
|author= Dan Jones
|summary=Bouncing between his studio in upstate New York and the sites of various English sojourns, woodcarver David Esterly's seems to be an idyllic existence. Yet it's not all cosy cottages in the snow and watching geese and coyotes when he looks up from his workbench. There is an element of hard-won retreat from the trials of life in this memoir, but at the same time there is an argument for the essential difficulty of the artist's life. 'Carvers are starvers,' a wizened English carver once told him. Certainly there is no great fortune to be won from a profession as obscure as limewood carving, but the rewards outweigh the hard graft for Esterly.
|amazonuk=<amazonuk>0715649191</amazonuk>
}}
{{newreview
|author=Emma Tennant, Hilary Bailey and David Elliott
|title=Did We Meet on Grub Street?
|rating=3.5
|genre=Entertainment
|summary=Essentially, the three authors (all of whom have long careers in the book industry) revel in the idea of being whining old curmudgeons who miss the good old days of publishing. This unashamed nostalgia provides the focus of the book and allows the writers to recount numerous anecdotes from their days in the publishing business. Whilst the primary audience for this book may well be students of creative writing and media studies, it also serves as an interesting exploration of an aspect of modern history: how a once-burgeoning industry is now a shell of its former self, much like a lot of manufacturing. Because of this, I was disappointed that no space was given to a consideration of how the rise of the e-book and Kindle has directly damaged both the sale of books and the potential for new books to be written (fewer real books sold = fewer financial advances paid to writers = fewer books written). Also, given the clear love of books as treasured artifacts, the dismissal of the Harry Potter phenomenon seems truculent, given the impetus the series gave to reading amongst both the young and adults.
|amazonuk=<amazonuk>0704372983</amazonuk>
}}

Navigation menu