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[[Category:New Reviews|Short Stories]]
[[Category:Short Stories|*]] __NOTOC__<!-- Remove -->
{{newreview
|author=Chuck Palahniuk
|title=Make Something Up
|rating=5
|genre=Short Stories
|summary=What are we to make of that subtitle-seeming writing on the front cover – ''stories you can't unread''? Does that not apply to all good fiction? Clearly it is here due to the reputation of the author, and the baggage his name brings to the page. We'd expect a dramatic approach from anything Palahniuk writes, and an added frisson, an extra layer, from which we might be forced to shrink back. But a lot of the contents don't quite go that far. Yes, things are dramatic, when society starts attaching defibrillators to itself, to create the perfect, simple, care- (''The Price is Right''-, and Kardashian-) free happiness. A man buys a horse for his daughter – but boy is it the wrong horse to buy. A man falls in love – yes, sometimes the plot summaries of these stories really are better off for being short (speaking of which, don't turn to the three-page entrant here as a taster, it'll put you off by dint of being, almost uniquely here, a nothing story). A call centre worker can't convince people he's on the level and even in their country – until someone starts riffing back to him. A housing estate report conveys bad regulation violations, but not as bad as the happenings at a 'Burning Man'-styled festival, in a very clever couple of tales. But many too are the instances where that extra step has been taken.
|amazonuk=<amazonuk>0099587688</amazonuk>
}}
{{newreview
|author=Martin Edwards (editor)
|summary=Lennon writes with a relaxed, easy style and his characters are instantly recognisable as people from everyday walks of life, without being in any way stereotypical. Many of the people in these stories are dealing with normal frustrations, and Lennon is cleverly detached enough not to make them individuals that you're obviously supposed to root for (the only exception is the industrialist in the eponymous tale, who is an archetypal capitalist fat cat). There are some very clever characterisations – in ''Weber’s Head'', for example, the narrator is a flawed individual whose opinions of his housemate are gradually revealed to be unreliable and unfair. For me, the most unsettling story is ''No Life'', because it portrays a decent couple at the mercy of people more powerful and influential than them. There is no supernatural or bizarre element at work here, just ordinary characters at the mercy of social power.
|amazonuk=<amazonuk>1781253358</amazonuk>
}}
