[[Category:Literary Fiction|*]]
[[Category:New Reviews|Literary Fiction]] __NOTOC__<!-- Remove -->
{{newreview
|author=Susan Beale
|title=The Good Guy
|rating=4
|genre=Literary Fiction
|summary=September 1964: an Indian summer in suburban Massachusetts. Ted McDougall is a twenty-three-year-old Goodyear tyre salesman who lives with his wife Abigail and ten-month-old daughter Mindy in the up-and-coming Elm Grove community. Both Ted and Abigail feel unappreciated in their roles. Ted knows his in-laws wanted him to become a lawyer and join Abigail's father's firm, but he's a good salesman and wishes they wouldn't look down on him for it. Meanwhile Abigail, an American history buff, can't master the domestic arts of cooking and cleaning, much as she tries, and longs to go back to school.
|amazonuk=<amazonuk>1473630339</amazonuk>
}}
{{newreview
|author= Emma Cline
|summary=Our unnamed narrator might as well be the only person alive. He knows he's not – he still goes down to the nearest inhabited village to buy things to eat and other necessities, and he sees planes spreading their contrails over the remote area he lives in – but he might as well be. A lot of his thoughts are about life, however, for he has little to do except notice the nature around him, from the smell of lilies burgeoning with nobody else to see them in this deserted village, to the swallows darting across the ravines of the countryside. Life – and the nature of a light that he sees spring into activity every night at what he thought was a totally lifeless, empty forest area on land separated from his lookout post in his back garden by a deep, wooded gorge…
|amazonuk=<amazonuk>0914671421</amazonuk>
}}
{{newreview
|author=Tania James
|title=The Tusk That Did the Damage
|rating=3.5
|genre=Literary Fiction
|summary=Tania James was a Fulbright Fellow in New Delhi in 2011–12. For this, her second novel after ''Atlas of Unknowns'' (shortlisted for the DSC Prize for South Asian literature) and the story collection ''Aerogrammes'', she clearly draws on her personal knowledge of India in all its contradictions, especially when it comes to environmental policy. The novel alternates between three perspectives: a third-person account of an elephant named the Gravedigger and first-person narratives from a poacher and a documentary filmmaker.
|amazonuk=<amazonuk>1784700584</amazonuk>
}}